From the Editors, May 2018
From the Shackles of Shallowness to Independence: Cléo’s Journey in Cléo From 5 to 7
Nick Bugeja
Between Mourning and Melancholia: Charlotte Gainsbourg in The Tree
Felicity Chaplin
Why Did we Dodge This? Mediating Story, Stunts and Special Effects through The Matrix's Bullet Time
Chris Comerford
The psychological Western: Gaze, gender, melodrama in Johnny Guitar
Connie de Silva
Girls on Fire
Alexandra Heller-Nicholas
The Balance Between Good and Evil in Jim Jarmusch's Dead Man
Daniel Hurren
STOP FILMING!
Kenta McGrath
Candy Wrapper Couture in Romy and Michele’s High School Reunion
Jennifer O'Meara
Pan left: The opening shot of Visconti’s Death in Venice
Ted Snell
Kirsten Johnson’s Cameraperson: A New Way of Seeing
Debbie Zhou
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